Ive made many animations in this program before. It doesnt crash, it just stops exporting half way through. Gives up when exporting animations. Clip Studio Paint EX often times just.
The water makes the light material a lot heavier, so it does not move as easily anymore. It tends to stick more to the form underneath. When clothes are too tight or too loose there are more folds that give a less elegant appearance of the clothing, especially when looking at the silhouette.Worn-out fabric tends to crease more than new or well-maintained fabrics.Note: When drawing clothes and folds, it can help to consider what material fits the character’s personality first.Folds can be heavily affected by wind or water.Wet cloth acts differently from dry cloth. Wide clothes show a lot of droopy folds that go from the pulling point towards the ground.Clothes are often designed with folds or lack thereof in mind.Fitted material is designed to look elegant with as few folds as possible. A tight cut follows the form of the body and wraps around it.
The smoother it is, the more it reflects light and has a brighter highlight. It does make a visual difference when you can imagine the folds in a 3-dimensional space.From the back, you can see folds forming under the butt region that go up to the hip.The folds at the knees are also visibly pulled by the hips from the back view.In general, when the body is just standing and resting, there are less dynamic folds.When a leg is lifted, the knee becomes the strongest pulling point.Be careful of the forms that the pant legs create when the leg moves.Depending on the thickness of the material the shadows around the folds appear slightly different.When shading folds, it’s good to use a combination of soft and hard edges.When painting pay attention to how smooth and soft the material is. It can be very helpful to emphasize the movements.Note that the lighter and thinner material in the example above shows fewer folds since the arm is still mostly resting.The arms heavily dictate the pulling areas where folds emerge.Opening a jacket absorbs some of the pulling when the arms are raised.The fabric of the pants is supported at the waistline.Pants start wider and narrow down to the knees because they adjust to the bone structure of the legs.With narrow pants, creases are usually visible at the knees.When drawing bumps in the fabric it’s good to show their origin and volume. Folds usually follow the twist. Wide material tends to squish together with fewer folds.The material adapts to the forms’ movement. More prominent droopy folds appear the wider and lighter the fabric is.When bent the fabric is pressed together and creates hollow shapes that vary in size.There are more bumps with more narrow material.
This also applies to very deep creases where light does not reach.Here are some quick tips that I noticed while shading materials.The shading, like the width of the folds, varies between soft edges or highlights depending on the material, so it’s good to familiarise yourself with as many materials as possible to build up a rich visual library.
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